ICWP BUSINESS

The Annual Meeting 2007 was held on an online forum
from in April. This meeting was open to all members
.

At the meeting we set about to establish the new Board of Trustees.

The elections were held at the online meeting in May of 2007. 

THE ICWP Inc. BOARD OF TRUSTEES

as of June 2007

President:
Paddy Gillard-Bentley
ON., CANADA

Vice-President:
Kristen
Lazarian
CALIFORNIA, USA

Vice-President:

Geralyn Horton

MASSACHUSETTS, USA

Secretary:
Jenni Munday
MELBOURNE, AUSTRALIA.
Email the Secretary


Treasurer:
Kit Wainer
ITHICA, NY, USA

 

Literary Manager & Director of Outreach

Emily Cicchini

AUSTIN, TX., USA

 

Membership Secretary

Marie-Jeanne Pense  

ARIZONA, USA

 

Director of Outreach

Lucia Verona

BUCHAREST, ROMANIA

Members at Large

Rachel Rubin Ladutke  (publisher of Seasons)

NEW JERSEY, USA

 

Tanja Pineda (Public Relations)

GRAND FORKS, ND, USA

 

Terri Febuary

ALEXANDRIA, LA., USA

 

Naranjargal  Khaskhuu

MONGOLIA

 

Board Biographies

 

 

PADDY GILLARD-BENTLEY

 

Paddy Gillard-Bentley has been active in most aspects of theatre since she was in her first play, Time Out For Ginger (her mum was four months pregnant with her).  She is a playwright/producer. She has had a full length play, Shaking the Dew from the Lilies produced in both Canada and the US, and twenty other productions of fourteen different plays in various states and provinces.   She is the author of two published children's books and has had several poems, short stories and articles published in magazines and e-zines.

 

She was in Writer's Bloc, a playwright's group affiliated with Theatre & Company for four years.  She is the founder and Artistic Director of Flush Ink Productions, a company active in Ontario known for its exciting street theatre event, Asphalt Jungle Shorts. 

 

Paddy lives in Kitchener with her amazing son, Samuel.

 

 

KRISTEN LAZARIAN

 

PLAYWRITING:  Full length plays: Push, Love Like Blue, Inviting Karma, Between You & Me, Janey Meet Janey, Heads or Tails.  Short play collections include:  Sophisticated Barflies & Other Short Plays and many others.  Publications include Best Stage Scenes 1999 and the Laguna Review.

 

RELATED ACTIVITIES:  ICWP member since 1997, member of the Dramatist Guild, the Alliance of Los Angeles Playwrights, and the Armenian Dramatic Arts Alliance, Published freelance writer, theatre critic, and editor, Worked for Leadership America as editor of publications and helped develop a magazine for women in business.

 

BACKGROUND & OTHER FUN FACTS: Native of Southern California, residing in Los Angeles for the last 13 years, Married to voice actor Richard Horvitz (Invader Zim, Angry Beavers, Grim Adventures of Billy & Mandy, Squirrel Boy-- shows you might know if you have kids!), Mother of three sons ages 2, 6, and 9.  Other interests include yoga, gardening, cooking, fixing up old houses & decorating (turning into my mother!), and lately I'm addicted to Air America progressive talk radio.

 

EDUCATION:  BA in English & Communication Studies, Westmont College (Santa Barbara, CA), 1990, Graduate studies in English Literature and Theatre/Playwriting, Drake University, Des Moines, Iowa 1992-94.

 

GERALYN (G.L.) HORTON

 

I've written and directed and acted in plays for longer than I care to recall-- mostly  in church basements.  After a working life that included jobs from acting teacher to waitress to museum guide to trolley operator to a decade as an adjunct college English/study skills Instructor, I'm now enjoying the US government¹s main support for artists: Social Security retirement.

Useful nonprofit ‘jobs’ have included being advisor to a UU church youth group and membership on the Worship Committee; various low- level political activities such as poll watching, petition circulating and envelope stuffing; 20 plus years of board membership and programming for the Boston writers¹ group Playwright¹s Platform, about 10 years on the production committee for its annual Festival, and maintaining PP¹s early web site-- which has improved a lot since I turned it over to somebody who is better at it than I am!  

 

For ICWP I have womanned tables at WPI conferences and helped to organize Boston¹s Hur-rah! mini conference. I've written somewhere between 50 and 100 plays since my first full length, written when I was 14.  While finishing college in Colorado I edited a literary/arts magazine, "Eye on the Denver Scene". For about a decade I was a theatre reviewer for various low-profile (and usually unpaid) print and web publications.  For 3 seasons Eliza Wyatt, Amy Merrill and I had our own producing company in Boston,
 

Unit II. My writing career high point may have been the summer of 1990, when my play set in a Boston abortion clinic, ‘Under Siege’ (aka ‘Choices’) was picked for the Sundance Lab, and I rubbed shoulders with Robert Redford and the ‘emerging’ Tony Kushner.

 

Acting high points include an abundance of premieres. Besides the American premieres of Rona Munro's "Bold Girls", Marina Carr's "Portia Coughlan"  Liz Lockhead's "Perfect Days", and Robin Soans’ ‘Talking To Terrorists²-- all at the SuganTheatre-- I¹ve appeared in dozens-- maybe hundreds-- of new plays written by colleagues stretching back to my college days,  including an Edinburgh Fringe stint in "Martha Mitchell", a musical monologue about Watergate written for me by Rosanna Yamagiwa Alfaro in 1987.  We¹ve revived it and are touring it again: booking suggestions welcome!
 

Dozens of my play scripts-- most of them workshopped at Playwrights' Platform -- are published on a web site at  <www.stagepage.info, along with over 150 free monologues for actors. Through the Web,I¹ve  had productions in England, Ireland, France, Italy, Germany, GreeceAustralia, New Zealand, Pakistan, India, Uganda and South Africa; and in a bunch of high schools and colleges in the USA. None of the overseas productions paid me a royalty-- though some of them signed a contract to do so. I¹m not good with money-- making it or raising it.  I¹ve very good at living without it, though:  I paid off my college loan in 3 years and my mortgage in 9-- and those are the only debts I¹ve ever had.

In terms of service to ICWP, I¹m better at limited-term tasks than regular recurring duties that require a well-regulated work life.  I tend to lose track of time.  How did it get to be June already?   Is this really 2006????

JENNI MUNDAY

 

I am an Australian performing artist, and create work for my performing group, Elbow Room.  When I say, my performing group, that happens to be those friends and colleagues I gather to create specific projects.  The works are usually multimedia drama performances for non-traditional venues - like the last piece was created mostly to tour to Art Galleries because it was about a famous Australian artist and included a lot of images of paintings.

 

I have written a couple of short plays, but only a couple have been performed.  I am completing my doctoral study "Adapting the novel for live performance" which includes the adaptation of the novel Vita Brevis by Jostein Gaarder.

 

I'm on the academic staff at Charles Stuart University, lecturing in Arts and Technology Education and have just received by PhD.  I'm on the Executive Board of our Regional Arts Board - Murray Arts , and belong to the Melbourne Writers Theatre, Playworks, and the Australian Women Directors Association. 

 

 

KIT WAINER

Theater

I am a founding member of 3rd Floor Productions, a women’s playwriting and producing group in Ithaca, NY, and one of 2 humans in an ever changing group of politically incorrect and pharmaceutically impaired puppets (PIPS).  Though I haven’t ventured out of state yet, my short plays have been produced in a number of cities in New York including NYC if I count several plays produced at Hunter College where I was an undergraduate a bazillion years ago. My first full full-length play, Queermonsterfreaks, is set for production in early 2008. A monologue from a one-act is published in Smith & Krause’s Audition Arsenal 2004.

 

Finance

Here’s how it began: fresh out of high school, I went to the Illinois State employment office where I flunked the typing test and aced the arithmetic test. Since then most of my paying-the-rent work has been in bookkeeping. I don’t love it but I find it easy, adequately paid and, most important, it doesn’t suck any of my creative energy.

 

 

EMILY CICCHINI

 

Emily is an award-winning writer of over 20 plays and scripts (Austin  Critic's Table Award, B. Iden Payne Award, The New Harmony Project,  Nicholl Fellowship finalist), and has been published through  Dramatic. Her work has been seen at Bloomington Playwright's Project,  BoarsHead: Michigan Public Theatre, Capitol City Playhouse, The  Cleveland Play House, Florida Studio Theatre, Frontera @ Hyde Park  Theatre, The Pollyanna Theatre Company (where she is playwright in  residence), The State/Live Oak Theatre, and Zachary Scott Theatre,  and heard on Public Radio International.

 

She was a James A. Michener  Fellow at the University of Texas and is a graduate of the Goodman  School of Drama/DePaul University.  She has extensive arts education and fundraising experience and is currently working in instructional multimedia production.

 

 

MARIE-JEANNE PENSE

 

WRITING:  Musicals, young adult drama, full-length, one-acts. One production in 2005.

 

ICWP:  Member since 2004. Membership Director since 2005.

 

OTHER ORGANIZATIONS:  Girlfriends Unlimited (non-profit organization), ASCAP, Society of Children's Book Writers and Illustrators (SCBWI). (Hopefully Dramatists Guild soon).

 

SKILLS: Writing, editing.

 

PREVIOUS CAREER:  Restaurant Manager, customer service.

 

SPECIAL INTERESTS:  I have a strong passion for Massage Therapy (getting my license soon).

 

CURRENT PROJECTS: Musicals (two full-length).

 

FAMILY:  Married 10 years; 3 children(daughter-8, son-6, son-4); pet parakeet (Little Bits)

 

 

LUCIA VERONA

  • Born in Arad, Romania, on March 4, 1949
  • Graduate of the Music Academy in Bucharest, 1972
  • Novelist, playwright (mostly comedies, some of them staged, others produced on the radio or as public readings), also translator of books and plays from Hungarian, French and English into Romanian. Writing book reviews and articles on plays and playwriting for two magazines.
  • Member of the Romanian Writers’ Union since 1989. Member of the Romanian Journalists’ Union. Member of the Paris-Montmartre artists’ association.

 

The book of plays “Grand Hotel Europa” was awarded the playwriting prize of the Bucharest Writers’ Association for the year 2000.

 

Elected last year president of the playwriting and theatrical criticism section of the Bucharest Writers’ Association (for a 4 year term).

 

Member of ICWP since January 2006, elected member of Board in May 2006.

 

Other interests and skills: travel, gastronomy, web design, music, politics, social policies  (not necessarily in this order)

 

 

RACHEL RUBIN LADUTKE

 

BACKGROUND:  Native of Long Island, NY; currently living in Weehawken, New Jersey (home of the Lincoln Tunnel) and loving it!

EDUCATION: 

- M.A. in Theatre from CUNY/Hunter College, 2000, 

- B.A. in English Dramatic Literature/Theatre from Wheaton College (Massachusetts), 1989

- National Theatre Institute

- Eugene O’Neill Theater Center, 1988

 

RELATED ACTIVITIES

 

Editor, INSIGHT FOR PLAYWRIGHTS, a monthly marketing newsletter

ICWP Board Member since 2000 - Membership Director (2000-2004), 

Membership Secretary (2004-2006), now Member at Large, Editor of  SEASONS quarterly newsletter

Founder/Artistic Director of TwinFish Productions, a non-profit New York City theatre company (1991-1996), produced,    directed and sometimes wrote and/or performed in 12 AEA showcases.

PLAYWRITING:

- Full length plays: GRACE NOTES, THE BELLES OF THE MILL, CLARY’S  EXODUS, THE UNDERSTANDING
- Musicals: BELLES OF THE MILL, NERISSA’S QUEST
- Shorts: too numerous to mention

FUN FACTS:
- Special interests:  Irish drama, contemporary folk music,  home-brewing, animals
- Family:  married for almost 10 years, 1 son, 2 dogs, and 3 cats and two kittens.

 

 

KATHY COUDLE KING

 

Born in West New York, NJ, Kathy completed high school in Miami, Florida and graduated from New York University’s Tisch School of the Arts with a degree in Dramatic Writing.  She later returned to school to pursue a Masters in English at the University of North Dakota where she is currently a senior lecturer in English and Women Studies. 

 

Kathy has written close to forty plays.  Seven were commissioned by nonprofit organizations, and she has enjoyed productions of her work at both academic and medical conferences..  Her work has been performed in 12 states.  In 2006, her full-length play “St. Bette’s” was named a finalist for the Sienna College Play Development contest, a semi-finalist for the ATHE new play readings.  In 2007, “Trees” benefitted from development at Fullerton College and was named as a finalist at Dayton Future Fest in July, 2007, where it was produced.

 

Publications include “Judith & Janey” in the literary journal, Sojourn, and “Thick Thighs Anonymous,” in Smith & Kraus’s 222 in 2 minutes (2005), and “Cookie” in Women’s Monologues Vol. II, (Merriweather Press, forthcoming, 2007).  Kathy is also the author of the novel Wannabe (Creative Arts Book Co.; Berkeley, 2000), and has written a number of screenplays which have earned her a number of awards in nationally recognized contests, including a semi-finalist nod for the prestigious Nicholl’s and Chesterfield fellowships.

 

Kathy believes in the power of theatre to reach audiences on a variety of issues.  To this end she has worked with youth writing a play for the ARC’ Sib Shop, as well as a local community violence organization in addressing issues of stalking and domestic violence.  In 2004, she        co-founded the ND Playwrights’ Co-op as a way to nurture and support other playwrights living in the state of North Dakota.  She lives on the prairie with her family.

 

NARANJARGAL  KHASKHUU

 

 

Special note.

 

MARGARET ‘MAGSMcSEVENEY

 

Leaving us, but not gone, is Margaret McSeveney.  She has been gears behind ICWP for many years.  She has been a member of the list since 1998, and an ICWP member since 1999.  She was the main List Administrator from 2002 - 2005.  She joined the board in 2000, and has worked diligently to make ICWP the wonderful organization it is.  She has held the positions - Secretary, Director of Communications and Interim Vice-President.   She was also ICWP Seasons Newsletter publisher, web-team member, database maintainer, chair-education committee, Administrator – Member and Event Manager and attended International Women Playwrights Conferences in Galway, Ireland and Athens, Greece.  

 

I can't even mention the board members she has guided and taught since her involvement, but The Board of Trustees, and the Membership of ICWP is thrilled to know they always have Mags as a Mentor for ICWP.

 

Mags, you have been a vital force in creating something wonderful here.  I am so grateful for you, and on behalf of the Board of Trustees, the Membership and everyone on the list who has been helped by you, or learned valuable things from you...

 

Thank you!

 

In addition we have the services of Laura Henry (non-board member), who converts to HTML and publishes the Newsletter on the ICWP website. 

 

Sandra Hosking has been wonderful in keeping up the contact list.  I can’t tell you how often I refer to those emails to find someone. 

 

Sarah Bewley did a great job as the List Administrator.

 

Thank you to all of you for your past and continued service.

 

 

 

ICWP Inc. Board of Trustees usually meets bi-monthly on an online forum.  Members may request items to be places on the Agenda by emailing the Secretary